Showing posts with label Judy Copek. Show all posts
Showing posts with label Judy Copek. Show all posts

Friday, March 11, 2011

The Institute for Advanced Computing

University Buildings in Goettingen, Germany

Was I ever relieved when a check of the Göttingen phone directory didn't turn up any computer institutes connected with the university, freeing me up to invent one. I modeled mine on the gray building in the foreground, typical of many of the older university buildings.  Bet you didn't know that the Brothers Grimm of fairy tale fame were protesters at the university way back when.  Below is the description when Emma sees her "home away from home" for the first time.



            Wayne and I had heard about this Institute for so long that it had the mythic aura of a technical Valhalla where cyber gods programmed the universe. Our taxi hit all the green lights along the Bürgerstrasse, then turned into a long driveway and stopped. A light drizzle was falling on Göttingen, and everything looked gray, especially the old tree-shrouded, limestone buildings of the university.  The university wasn't confined to a campus, but scattered all over town. Signs pointed visitors to the nearby Mathematics and Physical Institutes. Franz paid the driver, and the three of us approached the Institute along a sidewalk of gray paving bricks. Our new home away from home had three stories, with a newer white stucco addition on the side. Franz translated the inscription on the brass plaque by the entrance: “Institute for Advanced Computing.”
            In the foyer, unfurled umbrellas stood drying. A few marble steps led down to a cellar and others up to the ground floor. Wayne and I followed Franz up the stairs. The building emitted an odor recognizable anywhere. Academe. Chalk, dust, floor wax and fusty classrooms. Franz opened a heavy wooden door; we crossed a wide hall and entered a large room cluttered with desks, chairs, CRT's, shelves crammed with binders, all old-fashioned and low tech. Along the windows on the back wall furiously blooming red geraniums trailed over the big wide sills.

Many scenes in The Shadow Warriors are set in the town and the Institute.  I wish that "Warriors" was for sale on Amazon.de, but it's not.  Sigh.  Guess the English speaking world (US and UK) will be the only readers for the time being.  

Monday, March 7, 2011

The University town of Göttingen and The Shadow Warriors

Frau Eisenach, a character in The Shadow Warriors, lives on Geiststrasse, or Ghost Street. She is an old lady in a house dress who wears carpet slippers because of a painful bunion, but she is good to my main character who stops by to visit (and to eat) every now and then. Frau Eisenach cooks up a skillet of "hoppel-poppel", bacon, egg, onion,  boiled potatoes and tomatoes fried together.  An easy, delicious supper, by the way.  The University town of Goettingen is the setting for most of the scenes of The Shadow Warriors.  I made up the "Institute for Advanced Computing," but it was based on a real building.  Over the years, what is real and what I made up have sort of merged together.   Totally weird.



My inlaws lived in the town for years and I visited often, until it was easy to write about.  When I wrote the protest march scene and others I went to the library and found the microfilm of some of the events.  My nephew took me pub-hopping and several scenes resulted from that evening.   It was really fun to put my characters into the scenes and see what they would do. 


In the next post, I'll confess how I found many of my local characters.  


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Here is where the good Frau Eisenach lived. 

Sunday, February 27, 2011

Incident at Stanley Market: The Shadow Warriors

Stanley Market Hong Kong

Our driver promised to pick us up in thirty minutes. I bought a frozen coconut bar from a vendor's cart, and looked around while I slurped it down. The market was a bazaar, just a warren of alleyways filled with booths all jammed with cheap-looking junk: sneakers, T-shirts, kimonos, lime green warm up-suits and gewgaws of international bad taste.  
             I lost Roger and Franz when they wandered into a shop selling tennis clothes, and I went on to paw through some hideous lingerie. Waste of time. When I beat it back to the tennis store, they were gone. It was definitely time for a fur fix, and I made friends with a calico cat lying between two big wicker baskets in a food stall.   
            Wandering through the market,  I killed time by taking photographs and watching people. Otherwise, I wouldn't have even noticed the two men in the shoe stall. My god, they were the same pair Peter and I had seen on the Singapore bus and then at Sentosa beach! The older, dark-eyed one was talking to his sidekick, who was examining the sneakers with so much concentration I expected him to whip out tags saying, “inspected by number 12,” and stick them onto the shoes. Dark Eyes spoke a mile a minute in a language I didn’t recognize. Then he stopped talking, and cast a quick glance all around the booth. Those hard eyes and that face with a permanent five o'clock shadow gave me the creeps, so much so that I ducked out of sight. I peered around the corner at them again. One inspecting, one gabbing, just like before. 
I aimed my little Olympus at them, pushed the zoom button, and snapped their picture, which was really stupid in retrospect, because I hadn’t calculated that the dim light in the recess of  stall would activate the camera's flash. A few people looked up, and then returned to their shopping. No such luck with this pair. For an instant they both froze, and then Dark Eyes glared at me. His mouth was all twisted, and before I could react, he charged around the corner of the display table toward me. His buddy hadn’t moved.
            The strap around my neck saved the camera from crashing to the ground, as he grabbed my arm.
            "What are you doing? What is the idea of taking my photograph?” He had a rough foreign voice, and I couldn’t take my eyes off the little polo player on his blue shirt.
             I said something really snappy, like,  "Not you. I'm...I’m taking pictures of everything. "   
            "I will have your film,” he said under his breath.
            I said, "Leave me alone." My heart pounded and I just wanted to get out of there.
            A Chinese man came up and asked, "Is there problem?"
            Dark Eyes dropped my arm and backed off. 
            "I was just taking some photographs of the market. Is that all right?"
I didn’t know if he understood me or not. He said, "If problem, I call police."
Dark Eyes said "No problem.” His companion stood and stared at us along with the other customers. The Chinese man strode behind the counter. He must have been the proprietor, and he obviously wanted us to leave.
            Like in a movie, I took off doing a panicky dodge through the maze of shops. I found the hideous lingerie shop again, grabbed a nightgown and charged into a dressing room about the size of a toilet stall. I cowered in there for what seemed like a long time. When I peered through the curtain, I didn’t see them. Again, just like in a chase scene, I heard some indignant shouts in Chinese as I hustled through the storeroom and out the back door.

Monday, February 21, 2011

The Shadow Warriors: Sentosa Beach, Singapore

Sentosa Beach in Singapore- not a body to be found when we visited.

In the "story within the story," the action in the Shadow Warriors gets going when a body washes ashore on Sentosa Beach.   Emma, the narrator, has gone to the beach with bad boy Peter Weber.  Does he recognize whose body it is?  Why is he so paranoid? 


"If you ever change your mind...the world is full of lovely resorts."  He smiled at me, and the invitation was still on the table. 
            "Peter, I'll bet you've been to Phuket under different names and invariably with a new woman on your arm."
            He glanced up at the sky again, and laughed.  I looked toward the water. That’s when I knew something was wrong.  I saw a swimmer, but not swimming, moving, yet motionless.
Grabbing his arm, I gasped, “Jesus, Peter, there’s something--it looks like a body out there.  In the surf.  Look!”
            “Rings on her fingers, bells on her toes, the lady sees bodies wherever she goes.  It’s a porpoise or a log from Indonesia.”
He didn’t even bother to glance in the direction I was pointing.
            I saw a white leg, then a round torso turning over slowly, rolling in the gentle waves.  At last Peter stared at the water. 
unconscious?  Come on.  I'm a decent swimmer."
            I took Peter's hand and tried to plunge into the surf, but he didn’t budge.  While I stood and tugged on his arm, he continued to stare into the water. Finally he said,
              "The body out there is quite dead.  Take my word; you don't want to see it up close and personal. Corpses in tropical waters get ugly almost immediately.  Now, let's go for a walk instead of raiding the snack bar."
"We have to report this. What if some little kid found it?  At least let's tell the lifeguard." 
            Peter looked out beyond the placid waves again.  The body rolled drunkenly, unobserved by the little groups of sunbathers scattered along the long strand. 
"Red tape in this country tends to be very sticky.  Let's just be somewhere else," 


Sunday, February 13, 2011

A pub in Göttingen

My nephew took me pub crawling when I did research for The Shadow Warriors.  Of all the bars we visited, the one described below was the most interesting.  I changed it's name and I'm sure the interior has changed in the passing years.  I made up the music, the crowd and even the "disco whisperer."


We retreated back along wet sidewalks toward the center of town, for Marcus and Christof had decided we should top the evening off with a visit to a disco. Marcus turned into a wide but dilapidated entryway, which led into a dim, blue-lit cave. Behind a counter, an aging longhair collected a few marks cover charge, and stamped Euclid across the backs of our hands in neat purple letters.

We advanced further into the cave, which had a seedy, disreputable look, with sloppily painted walls and cigarette butts ground into the concrete floor. Now we heard voices over a pulsing beat, and met a phalanx of bodies, noise and smoke. We pushed our way into a large dark room. Above the heads of the mob of drinkers, the skylines of Paris, Moscow, New York and London were painted starkly on the walls. 

Again, with nowhere to sit, we stood together in the crunch of bodies and guzzled beer. Time was a rubber band, stretched taut at one moment, slack the next, and in its elastic intervals, I didn't know if we'd been drinking there for a few minutes or a few hours.

From the dance floor, the music called with demon logic. Marcus had disappeared to order more beer, and Christof asked in his best English, "You dance, Ms. Davis, pardon, you dance, Emma?"
           
"Thought you'd never ask," I cooed.

Christof steered me through the swarm and up a few stairs to a packed dance floor. The number was over, and a few couples left, so we did a crowd swim and squeezed in. The Village People's “Macho Man” started pulsing, and the dancer's began moving. In my dopey universe, I felt a pleasant intimacy in the boozy closeness of strangers. Bodies twisting, elbows pumping, Christof and I were really getting into the spirit. I heard the low voice, but it wasn't until a hand touched my shoulder that I registered that the voice speaking to me.
            "Here's to you, Mrs. Robinson, Mrs. E. Robinson, why do you follow me?"
            Crazies on the dance floor. I didn't turn to look, but a tiny alarm sounded. A moment later, the voice spoke to me again.           
            "You are making life difficult, Mrs. Robinson. Difficult for me. Dangerous for you. Go home and sit on your sofa."
            Goofy English with an odd, non-German accent, succinct and scary. I tried to twist around to look at this joker, but the dancers surged, blocking me. When at last I turned around, I didn't recognize anyone.
            With his knees bent, and his arms flung out, Christof hurled himself about like a crazed St. Vitas.
            "Mrs. Robinson, do you still have the photographs?"
            Soft with menace, the disembodied voice approached my ear again. I tried to bring up some intelligence, but my brain was too deep into the twin narcosis of booze and pot, and I was simply afraid.
            "Get out of Göttingen,  Mrs. Robinson. Go back to Hong Kong. Or Singapore."
            Jesus! I whirled and danced with the stranger behind me. He grinned and gyrated, too friendly to be the Whisperer. The throb and thump of the music stopped, then ABBA started it up again. Trying to find a face to attach to the voice, I stared over the room at hundreds of faces, but they were all intent on pulling the most pleasure out of a rainy Friday night.
            Then I saw him, slipping into the cave that led to the entrance, the man from Stanley Market, the angry man I knew in my mind as “Dark Eyes.” His glance flickered back to the dance floor, and our eyes met. He smiled with his lips and teeth, raised his arm, pointed his index finger right at me, and slowly squeezed an imaginary trigger. Then he disappeared into the blue cave.
           

Thursday, February 10, 2011

The Shadow Warriors is now on Kindle

Too late for Christmas, but in plenty of time for the long New England winter, my novel The Shadow Warriors is now available from Amazon on the Kindle.  The Shadow Warriors began life way back in 2001 as an e-book.  How is that possible?  I found a small e-book publisher and latched onto the technology before most readers had heard of it and long before the Kindle.  The publisher went belly up, and I got back my rights and published with Booksurge, now Createspace.

This fall I decided it was time to get the novel of technology on the latest technology.  Voila!

This blog will be devoted to all things Shadow Warriors:  the genesis of the book, photos of where scenes are set, some discussions of information warfare and other novels of technology.  We will talk about the element of fiction and also technology and some very scary stuff.  Come back often.